Friday, 20 October 2017

Word Ton Soup

WORD TON SOUP
I ASKED TILLY WHAT THESE KEY-WORDS MEANT THEN CORRECTED THEM.

DIEGETIC: THE SOUNDS THAT CHARACTERS IN A SCENE CAN HEAR
REPRESENTATION: The way in which a certain view is presented
MISE-EN-SCENE: Deliberately obscuring something In a scene to create suspense.

Corrections

Representation: The way in which the media mediate, repackage or represent individuals, people, places and social groups to audiences
Mise-en-scene: everything that’s within the scene

Tweet and Sour

Tuesday, 17 October 2017

The Confrontation



The Full Video of The Confrontation mini-project.

Evaluation of The Confrontation

I held a bunch of roles in The Confrontation: Location Scout, SFX Makeup, co-director, co-editor co-camera operator. I fulfilled this by finding the locations for us to film in, doing all the makeup involving fake blood, helping direct, edit and film scenes.

We had good use of lighting and props, as well as a nice use of the phone footage that was filmed on a specific app. We also had a good use of speed changes.

One of our most obvious issues was the shaky camera work when we could have used a tripod, another issue was the almost loss of a large amount of footage because we did not upload the footage before handing the SD card back, however, we got lucky and the SD was rescued by Kirsten.

We learned that we need to edit sound better so it fits the scene. we also earned that there were some abrupt transitions used.

Next time, we plan to have better use of tripods or perhaps even the steadi-cam. As well as better editing when it comes to sound and losing any abrupt transitions.

Mise-en-scene 8/10
Camerawork 6/10
Sound 3/10
Editing 8/10
Using a Camera 7/10
Using a tripod 4/10
Editing transitions 5/10
Editing sound 3/10
Overall confidence on premiere pro 10/10

Thursday, 12 October 2017

Friday, 22 September 2017

Analysis of scene

At 00:08 there is a low angle focused on Erik this suggests that he has a great deal of power at this moment, however, this is undercut by the fact that he is pinned against the wall and as such it suggests that he has power (as we now to control metal) but doesn't believe he can use it against Shaw. This is further supported by the fact that Erik's job in this scene is to take the helmet off shaw not hurt him.

At 01:03, the wide shot presents Erik and Shaw on a level playing ground, as well as at eye level with the audience, now that Shaw is controlled by Charles and therefore cannot absorb the energy of any attacks sent at him.

The Focus on Erik at 01;42 shows that he now has the upper hand as well as suggesting that he holds all the power in the scene including the corresponding scene in the jet with Charles.

The Pull Focus from the Coin to Erik, shows how despite having grown up, his life is still very much centred with proving himself and being able to do other things than large shows of power, it also shows the influence of the past on his actions suggesting that even if the coin is out of focus it still plays a large role in Erik's decisions. Large shows of power are common with the character as he routinely uses them to advance the plot and change the outcome of a situation, however now he is going to do something precise and delicate instead of using brute strength which is shown by bringing the coin into the scene and changing the focus from the precision that the coin represents the power and control the close-up shows Erik as having as it is seemingly all about him. This can also be seen through his choice to ignore Charles and therefore focus on his priorities over the correct decision.

From 02:04 to 02:41 Charles is positioned in the same place on the frame as Shaw, this shows their mental connection and further emphasises the pain and betrayal Charles feels at Erik's behaviour. This is further emphasised with the occasional cuts of Erik's face.

The Aerial shot of the coin, covered in blood, falling at the end of the clip shows how Erik's past has played out in the present, that his revenge has caused his past to be bloodstained.